Aaron sorkin interview writing activity

When I sat down with Sorkin a few weeks ago, we spoke a little about the nature of storytelling about real people, and what Sorkin sees as some of its value, purpose and pitfalls. Why tell stories about real people? If you tell stories about fictional people you can change what you want.

Aaron sorkin interview writing activity

Comments Aaron Sorkin knows the weight of last words, and his last words to me, as we walk-and-talk out of the HBO press room, are: It's not advice the Oscar-winning, show-bossing Jonathan Franzen of screenwriting would take himself, thank what gods there be.

In Sorkinville, these gods are men. At the short end of a TV season dominated, if not by shows about girls and women, by talk about shows about girls and women, Sorkin's new drama The Newsroom arrives with a "Hey, remember how great America was when it wasn't just a man's world, but a man's man's world?

Sitting in front of college students on a state-of-the-union panel with a liberal commentator and a conservative commentator, he's square in the middle, grim-jawed and resigned.

He bats off questions slackly, unwilling to play their pundit games. Story continues below advertisement And boy, those are some last words.

Aaron Sorkin on Writing

Number of incarcerated citizens per capita, number of adults who believe angels are real, and defence spending Jessup's indelible "You can't handle the truth. Think Oliver Babish's "Truth isn't a luxury. We saw it in The Social Network, when the unreal Mark Zuckerberg stops slouching long enough to spit truth at his accusers.

We saw it in Moneyball, but there it felt softer, wishier. The truth is hard as a baseball, and Sorkin is going to shove it so far down your throat you see stars. Can you handle it? Gawker's Drew Magary called The Newsroom "the most Aaron Sorkin thing ever" and — probably because Sorkin is unsubtly protesting the Gawkerization of news with his "civility, respect, and a return to what's important" theme — he did not mean it well.

Magary was jejune and vituperative, but he wasn't wrong. Months before seeing the pilot, I read its entire leaked script.

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The show runs breathtakingly true to its words: There's the fiery, viral screed; there's McAvoy's terse implosion, when his executive producer leaves and takes half his staff; there's the buoyant alrightness of Mackenzie MacHale Emily Mortimerhis new EP and old flame; and there's the adrenalin-high drama that will make screen watchers care about news the way Friday Night Lights made me, an unathletic snob, care about football.

The great American dialectic — optimism and realism, faith and reason — is thrillingly animated onscreen, but hardly moreso than on the page. I had to watch the show twice just to believe a how good that script was and b how incredibly convinced of its goodness, in every sense of "good," it was.

Hence, my first question starts, "I watched the pilot twice I invite him to do so, and he asks, "Because you liked it so much the first time, or because you didn't understand it the first time? No, I think that there might be a third way, which is that if you're going to write about something, you have to look at it more than once.

So, it wasn't that you liked it so much the first time? You could have lied.

Aaron Sorkin Teaches Screenwriting | MasterClass

No, I couldn't have. I did like it. I found it good, not as a show about media, but as a show about America. It's not the media that I find is most important now, television. There should be a show about the Internet. There should be a show about Gawker. Pausing, while appearing to conceive the perfect murder.

Sorkin does not live in the age of Gawker. But The Newsroom is opportunely timed — at least for educated-liberal audiences — in part because this is an election year, and Americans are so divided that wild ambivalence seems like the only way left to feel.

In larger part, it's because a certain kind of man is now freaking out over the loss of his greatness: Esquire is e-publishing "men's fiction"; Simon Fraser University wants to build a "men's centre," requiring perhaps refuge from the plague of per-cent female enrolment; "misandry" is a word you hear people say and mean.

Really, all that's happening is that feminism has achieved some of its purposes and pluralism has taken root. Systems are tenuous; forces of change are multiplying; the great- white -man theory will not hold. Sorkin, though, is winningly upholding it.'The West Wing' because of the people I was working with on that show the cast and the crew, the writing staff and the producers that I was working with it was home for it, it was a family for me.

aaron sorkin interview writing activity

Writing Tips From ‘Steve Jobs’ Screenwriter Aaron Sorkin Posted on Friday, October 16th, by Jack Giroux I’ve rarely felt this annoyed in a movie theater. Aaron Sorkin knows the weight of last words, and his last words to me, as we walk-and-talk out of the HBO press room, are: "Write something nice." He says this in the "Smile, honey" tone of much.

Aaron Sorkin said years ago he would do it

MasterClass is expanding its film curriculum. After last month’s news that Werner Herzog will be teaching an online filmmaking course, it’s been announced that Aaron Sorkin will be doing.

Everything I’ve ever written, I want to go back and write again, better,” confesses Aaron Sorkin. And I’d wager that most of us who write for a living feel the same. Aaron Sorkin is on board to direct and Sacha Baron Cohen is in early talks to star in “The Trial of the Chicago 7” at Amblin Entertainment, an individual with knowledge of the project told.

Everything We Know About a Possible Revival of 'The West Wing'